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1 ‘O Little Town of Bethlehem’
«О маленький город Вифлеем», рождественский гимн. Начало гимна:O Little town of Bethlehem,
How still we see thee lie,
Above thy deep and dreamless sleep,
США. Лингвострановедческий англо-русский словарь > ‘O Little Town of Bethlehem’
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2 film
§ ფილმი§1 ფოტო / კინო ფირი2 ფენა, აპკიa film of dust / oil მტვრის ფენა / ნავთობის აპკი (წყალზე)3 კინოფილმიa full-length / short-length film სრულმეტრაჟიანი / მოკლემეტრაჟიანი ფილბიa sound / silent / documentary film ხმოვანი / მუნჯი / დოკუმენტური ფილმიa film actor / actress კინომსახიობიto make / produce / shoot a film კინოსურათის გადაღება4 ფილმის გადაღება, კინოფირზე გადაღებაthey’ve been filming for a month now უკვე ერთი თვეა ფილმს იღებენ5 დაორთქვლა (დაიორთქლება)processed film გამჟღავნებული აფსკი / ფირიmost of the children, particularly the youngest, like animated cartoon films ბავშვების უმეტესობას, მეტადრე პატარებს, უყვარს მულტფილმები●●the story of the film ფილმის სიუჟეტიthe film stars Elizabeth Taylor ფილმში მთავარ როლს ელიზაბეტ ტეილორი ასრულებსI’ve seen this film scores of times ეს ფილმი ასჯერ მაქვს ნანახიthe film moved me to tears ფილმმა ცრემლებამდე მიმიყვანა / გული ამიჩუყაa thrilling film ფილმი, რომელსაც დაძაბული / განაბული უყურებ // დამძაბველი ფილმი●●the film version of the novel რომანის ეკრანიზებული ვერსიაthe film features the battle of Aspindza ფილმში ასპინძის ბრძოლაა ნაჩვენებიdon’t expose the film to light ფირს ნუ გააშუქებ!an English film dubbed into Georgian ქართულ ენაზე დუბლირებული ინგლისური ფილმიit is my dream to become a film star ჩემი ოცნებაა, გვხდე კინოვარსკვლავიwe were much affect by the film კინოსურათმა ჩვენზე დიდი შთაბეჭდილება მოახდინა -
3 Cinema
Portuguese cinema had its debut in June 1896 at the Royal Coliseum, Lisbon, only six months after the pioneering French cinema-makers, the brothers Lumiere, introduced the earliest motion pictures to Paris audiences. Cinema pioneers in Portugal included photographer Manuel Maria da Costa Veiga and an early enthusiast, Aurelio da Paz dos Reis. The first movie theater opened in Lisbon in 1904, and most popular were early silent shorts, including documentaries and scenes of King Carlos I swimming at Cascais beach. Beginning with the Invicta Film company in 1912 and its efforts to produce films, Portuguese cinema-makers sought technical assistance in Paris. In 1918, French film technicians from Pathé Studios of Paris came to Portugal to produce cinema. The Portuguese writer of children's books, Virginia de Castro e Almeida, hired French film and legal personnel in the 1920s under the banner of "Fortuna Film" and produced several silent films based on her compositions.In the 1930s, Portuguese cinema underwent an important advance with the work of Portuguese director-producers, including AntônioLopes Ribeiro, Manoel de Oliveira, Leitao de Barros, and Artur Duarte. They were strongly influenced by contemporary French, German, and Russian cinema, and they recruited their cinema actors from the Portuguese Theater, especially from the popular Theater of Review ( teatro de revista) of Lisbon. They included comedy radio and review stars such as Vasco Santana, Antônio Silva, Maria Matos, and Ribeirinho. As the Estado Novo regime appreciated the important potential role of film as a mode of propaganda, greater government controls and regulation followed. The first Portuguese sound film, A Severa (1928), based on a Julio Dantas book, was directed by Leitão de Barros.The next period of Portuguese cinema, the 1930s, 1940s, and much of the 1950s, has been labeled, Comédia a portuguesa, or Portuguese Comedy, as it was dominated by comedic actors from Lisbon's Theatre of Review and by such classic comedies as 1933's A Cancáo de Lisboa and similar genre such as O Pai Tirano, O Pátio das Cantigas, and A Costa do Castelo. The Portuguese film industry was extremely small and financially constrained and, until after 1970, only several films were made each year. A new era followed, the so-called "New Cinema," or Novo Cinema (ca. 1963-74), when the dictatorship collapsed. Directors of this era, influenced by France's New Wave cinema movement, were led by Fernando Lopes, Paulo Rocha, and others.After the 1974-75 Revolution, filmmakers, encouraged by new political and social freedoms, explored new themes: realism, legend, politics, and ethnography and, in the 1980s, other themes, including docufiction. Even after political liberty arrived, leaders of the cinema industry confronted familiar challenges of filmmakers everywhere: finding funds for production and audiences to purchase tickets. As the new Portugal gained more prosperity, garnered more capital, and took advantage of membership in the burgeoning European Union, Portuguese cinema benefited. Some American producers, directors, and actors, such as John Malkovich, grew enamored of residence and work in Portugal. Malkovich starred in Manoel de Oliveira's film, O Convento (The Convent), shot in Portugal, and this film gained international acclaim, if not universal critical approval. While most films viewed in the country continued to be foreign imports, especially from France, the United States, and Great Britain, recent domestic film production is larger than ever before in Portugal's cinema history: in 2005, 13 Portuguese feature films were released. One of them was coproduced with Spain, Midsummer Dream, an animated feature. That year's most acclaimed film was O Crime de Padre Amaro, based on the Eça de Queirós' novel, a film that earned a record box office return. In 2006, some 22 feature films were released. With more films made in Portugal than ever before, Portugal's cinema had entered a new era. -
4 Reading
1) The Discovery of Truth Depends on the Thoughtful Reading of Authoritative TextsFor the Middle Ages, all discovery of truth was first reception of traditional authorities, then later-in the thirteenth century-rational reconciliation of authoritative texts. A comprehension of the world was not regarded as a creative function but as an assimilation and retracing of given facts; the symbolic expression of this being reading. The goal and the accomplishment of the thinker is to connect all these facts together in the form of the "summa." Dante's cosmic poem is such a summa too. (Curtius, 1973, p. 326)The readers of books... extend or concentrate a function common to us all. Reading letters on a page is only one of its many guises. The astronomer reading a map of stars that no longer exist; the Japanese architect reading the land on which a house is to be built so as to guard it from evil forces; the zoologist reading the spoor of animals in the forest; the card-player reading her partner's gestures before playing the winning card; the dancer reading the choreographer's notations, and the public reading the dancer's movements on the stage; the weaver reading the intricate design of a carpet being woven; the organ-player reading various simultaneous strands of music orchestrated on the page; the parent reading the baby's face for signs of joy or fright, or wonder; the Chinese fortune-teller reading the ancient marks on the shell of a tortoise; the lover blindly reading the loved one's body at night, under the sheets; the psychiatrist helping patients read their own bewildering dreams; the Hawaiian fisherman reading the ocean currents by plunging a hand into the water; the farmer reading the weather in the sky-all these share with book-readers the craft of deciphering and translating signs....We all read ourselves and the world around us in order to glimpse what and where we are. We read to understand, or to begin to understand. We cannot do but read. Reading, almost as much as breathing, is our essential function. (Manguel, 1996, pp. 6-7)There is a pitched battle between those theorists and modellers who embrace the primacy of syntax and those who embrace the primacy of semantics in language processing. At times both schools have committed various excesses. For example, some of the former have relied foolishly on context-free mathematical-combinatory models, while some of the latter have flirted with versions of the "direct-access hypothesis," the idea that skilled readers process printed language directly into meaning without phonological or even syntactic processing. The problems with the first excess are patent. Those with the second are more complex and demand more research. Unskilled readers apparently do rely more on phonological processing than do skilled ones; hence their spoken dialects may interfere with their reading-and writing-habits. But the extent to which phonological processing is absent in the skilled reader has not been established, and the contention that syntactic processing is suspended in the skilled reader is surely wrong and not supported by empirical evidence-though blood-flow patterns in the brain are curiously different during speaking, oral reading, and silent reading. (M. L. Johnson, 1988, pp. 101-102)Historical dictionary of quotations in cognitive science > Reading
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5 film
fɪlm
1. сущ.
1) фильм to make, produce, shoot a film ≈ снимать фильм to release a film ≈ снять фильм to show a film ≈ показывать фильм to ban a film ≈ запретить фильм to censor a film ≈ подвергать фильм цензуре adult film, X-rated film ≈ фильм для взрослых adventure film ≈ приключенческий фильм caper film ≈ трюковой приключенческий фильм documentary film ≈ документальный фильм educational film ≈ учебный фильм feature film ≈ художественный фильм gangster film ≈ боевик instructional film ≈ обучающий фильм propaganda film ≈ пропагандистский фильм silent film ≈ немой фильм sound film ≈ озвученный фильм television film, TV film ≈ телефильм training film ≈ обучающий фильм Syn: movie, movie picture
2) кинопленка, пленка, фотопленка to develop film ≈ разматывать пленку to insert, toad film ≈ вставлять пленку to remove film ≈ вытаскивать пленку to rewind film ≈ перематывать пленку to splice film ≈ резать пленку to wind film ≈ мотать пленку black-and-white film ≈ черно-белая пленка
3) часто мн. кино, кинопромышленность, киноискусство to work in films ≈ работать в киноиндустрии to be in the films ≈ сниматься в кино underground film ≈ альтернативное кино
4) пленка;
тонкий слой чего-л. a film of ice ≈ тонкая корочка льда The sea is coated with a film of raw sewage. ≈ Поверхность моря покрыта тонкой пленкой неочищенных отходов. film of fog ≈ легкий туман;
дымка
5) тонкий лист, тонкая оболочка Syn: lamina, pellicle
6) фотослой
7) новообразование на глазу или в глазу
8) тонкая нить( паутины, шелка и т. п.)
2. гл.
1) снимать фильм, производить киносъемку He had filmed her life story. ≈ Он снял фильм про ее жизнь.
2) подходить для съемок в кино I always knew I had the sort of face that would film well and look good on the screen. ≈ Я всегда знал, что у меня фотогеничное лицо и я буду хорошо выглядеть на экране.
3) а) покрывать пленкой, оболочкой;
застилать дымкой (over) A mist filmed over the stars. ≈ Туман скрыл звезды. б) покрываться пленкой, оболочкой;
застилаться дымкой (over) Eyes are filming o'er in death. ≈ Глаза заволоклись смертельным туманом. her eyes filmed over with tears ≈ ее глаза, покрытые слезами пленка;
тонкий слой( чего-л.) - * of oil нефтяная пленка - * of dust тонкий слой пыли - * crust( техническое) твердая пленка фотопленка;
кинопленка - coloured * цветная пленка - to develop a * проявлять фотопленку - reversal * обратимая пленка - nonreversal * необратимая пленка - fast * чувствительная пленка (кино) фильм, (кино) картина - feature художественный фильм - dubbed( - in) * дублированный фильм - popular-science * научно-популярный фильм - three-dimensional /часто 3 D/ * стереофильм - art * экспериментальный, некоммерческий фильм;
документальная картина о художественных выставках, работе художников и т. п. - to release a * выпускать фильм на экраны - to screen a * показывать фильм - the * is on /playing, showing/ фильм идет кино, киноискусство - the art of the * искусство кино - the great masters of the * мастера кино - * actor киноактер - * director кинорежиссер - * producer продюсер - * people кинематографисты, деятели кино - * unit съемочная группа - * writer сценарист, кинодраматург - * company кинокомпания, кинофирма - * medium выразительные средства кино - * studio киностудия - * test кинопроба будущего актера или актрисы - * analysis( специальное) исследование с помощью киносъемки - to have a * face быть фотогеничным (the *s) pl (разговорное) кино - to be in the *s быть киноактером - to quit the *s уйти из кино легкий туман, дымка тонкая нить (техническое) перепонка, оболочка снимать( кино) фильм;
производить киносъемки;
снимать на кинопленку - to * a meeting заснять собрание экранизировать (литературное произведение) - the story won't * well этот рассказ не подойдет для экранизации сниматься в кино;
быть киноактером - this actor has been *ing for many years этот актер уже много лет снимается в кино быть подходящим материалом для кино - this story *s easily этот рассказ легко экранизировать - he *s well он фотогеничен покрывать пленкой, оболочкой покрываться пленкой;
застилаться дымкой, туманом (тж. * over) advertising ~ рекламный фильм ~ фильм;
(часто pl) кино;
to be in the films сниматься в кино colour ~ цветная пленка colour ~ цветной фильм conducting ~ проводящая пленка dielectric ~ диэлектрическая пленка film пленка;
легкий слой (чего-л.) ;
оболочка;
перепонка;
a film of fog легкий туман;
дымка ~ покрывать(ся) пленкой, оболочкой;
застилать(ся) дымкой (over) ~ снимать, производить киносъемку;
экранизировать (литературное произведение) ~ сниматься в кино;
she films well она фотогенична ~ тонкая нить ~ фильм;
(часто pl) кино;
to be in the films сниматься в кино ~ фотопленка, кинопленка, пленка ~ фотослой ~ attr. кино- film пленка;
легкий слой (чего-л.) ;
оболочка;
перепонка;
a film of fog легкий туман;
дымка record ~ документальный фильм release a ~ выпускать фильм на экран safety ~ безопасная, невоспламеняющаяся кинопленка ~ сниматься в кино;
she films well она фотогенична -
6 film
[fɪlm] 1. сущ.1) фильмto make / produce / shoot a film — снимать фильм
caper film — амер. трюковой приключенческий фильм
- film actresstelevision film, TV film — телефильм
- film collection
- film star
- film studio
- film testSyn:2) киноплёнка, плёнка, фотоплёнкаto insert / toad film — вставлять плёнку
3) ( films) кино, кинопромышленность, киноискусствоunderground film — амер. альтернативное кино
4) плёнка; тонкий слой чего-л.The sea is coated with a film of raw sewage. — Поверхность моря покрыта тонкой плёнкой неочищенных отходов.
film of fog — лёгкий туман; дымка
5) тонкий лист, тонкая оболочкаSyn:6) фотослой7) новообразование на глазу, в глазу8) тонкая нить (паутины, шёлка и пр.)2. гл.1) снимать фильм, производить киносъёмкуHe had filmed her life story. — Он снял фильм про её жизнь.
I always knew I had the sort of face that would film well and look good on the screen. — Я всегда знал, что у меня фотогеничное лицо и я буду хорошо выглядеть на экране.
3)а) покрывать плёнкой, оболочкой; застилать дымкойA mist filmed over the stars. — Туман скрыл звёзды.
б) покрываться плёнкой, оболочкой; застилаться дымкойHer eyes were filmed over with tears. — Её глаза закрывала пелена слёз.
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